What is film noir according to Hirsch?

Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present “in abundance”. Hirsch notes that there are unifying features of tone, visual style and narrative sufficient to classify noir as a distinct genre.

Who is the noir hero in film?

The noir hero. Although the “hard-boiled detective” is the stereotypical noir hero, the central male characters in film noir range from drifters ( John Garfield in Tay Garnett ’s The Postman Always Rings Twice, 1946) to college professors ( Edward G. Robinson in Lang’s The Woman in the Window, 1944).

Are there any classic film noir movies on YouTube?

Classic film noir movies from the 1940s and 50s that are freely available on YouTube. Many film noir playlists on YouTube include movies that are actually no… Classic film noir movies from the 1940s and 50s that are freely available on YouTube. Many film noir playlists on YouTube include movies that are actually no…

What are the characteristics of neo noir film?

The shadows of Venetian blinds or banister rods, cast upon an actor, a wall, or an entire set, are an iconic visual in noir and had already become a cliché well before the neo-noir era. Characters’ faces may be partially or wholly obscured by darkness—a relative rarity in conventional Hollywood filmmaking.

What are the aesthetics of film noir?

The aesthetics of film noir are influenced by German Expressionism, an artistic movement of the 1910s and 1920s that involved theater, photography, painting, sculpture and architecture, as well as cinema.

Who is the cinematographer of film noir?

The film’s cinematographer, John Alton, was the creator of many of film noir’s stylized images. Film noir ( / nwɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations.

What are the different genres of noir?

Film noir similarly embraces a variety of genres, from the gangster film to the police procedural to the gothic romance to the social problem picture—any example of which from the 1940s and 1950s, now seen as noir’s classical era, was likely to be described as a melodrama at the time.

What is the antecedent of classic noir?

An important, possibly influential, cinematic antecedent to classic noir was 1930s French poetic realism, with its romantic, fatalistic attitude and celebration of doomed heroes. The movement’s sensibility is mirrored in the Warner Bros. drama I Am a Fugitive from a Chain Gang (1932), a forerunner of noir.

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